Sunday, February 19, 2017

Analogue Productions RCA/Decca Reissues Part 2: The Royal Ballet Gala Performances and Venice

 Greetings from Boston, where, after two consecutive snow storms within the past week and a half, it is now a balmy 59 degrees Fahrenheit in the middle of February!  After much eager anticipation, batch two of Analogue Productions' RCA/Decca reissues has finally arrived!  With this batch comes the very welcome reissue of LDS-6065: The Royal Ballet Gala Performances and LSC-2313: Venice (see previous review here).  You can find our initial reviews of the first batch of releases in this series here and an addendum here.

I was very much looking forward to receiving these LPs, in particular, the Royal Ballet Gala Performances.  Most classical audiophile collectors can appreciate the rarity and collectibility of LDS-6065, both in its original pressing as well as in its Classic Records reissues (both 33 rpm and 45 rpm, mastered by Bernie Grundman). On, the price range for the Royal Ballet Gala Performances (including either the original or reissues) depends upon whether you search for "LSC-6065" ($36-$1885) or "LDS-6065" ($25 to $4208!).  Up until a couple of weeks ago, if you wanted a copy, you would have had to be willing to pay a small fortune.  A few years ago, I sold my original copy, the discs of which were in VG to VG+ condition; the cover of the cloth box had heavy water damage along the bottom.  Regardless of its shape, a buyer in China was still willing to pay $240 for the set.  Well, thanks to AP, we now have a chance to own this album for a far more reasonable price. 

In general, AP's production quality with these reissues has been high.  Although it would have been nice if AP had reproduced the cloth-bound box that housed the original Royal Ballet Gala Performances, both of these albums come with beautifully laminated gatefold covers with full-color reproductions of the original booklets (see photos below).  Someone commented in a review of the Royal Ballet Gala reissue on the Acoustic Sounds website that the picture of the dancers on the album cover was blurred, but it appears that that is also the case on the covers of the original and the Classic Records reissue.  The vinyl weighs in just about 200 grams as advertised (I measured 195 g and 215 g for Royal Ballet Gala and exactly 200 g for Venice). Bernie Grundman mastered AAPC 6065 (it is unclear if this is the same as what he did for Classic Records) and Willem Makkee mastered AAPC 2313.

Here are some of my thoughts on the sonic qualities of these reissues:

AAPC 6065 (LDS-6065):  The vinyl surfaces are extremely quiet, and I detected minimal if any surface noise during my listening. I don't know how this compares with the Classic Records reissues, which I suspect are also quiet, and I will leave that to my blogging colleague Meles to comment. The black backgrounds really permit a lot of low level detail to be revealed during soft musical passages.  As an example, the harp solo in the Waltz of the Flowers from Tchaikovsky's Nutcracker Suite glistens with clarity.
There is a wide range of dynamics across the potpourri of ballet excerpts.  Much of the music is performed at medium to soft listening levels, but periodically we get bursts of energetic orchestral tuttis.  Overall, the orchestra sounds well balanced.  Clarity, transparency, and imaging are excellent, although I have to agree with Jonathan Valin's assessment (see below) that there can be a hard left-right separation at times.  The soundstage is deep and expansive, and one can really appreciate the acoustics and ambience of Kingsway Hall.  I was also impressed by the rich midrange, sweet treble, and taut bass.  

Overall, I'm very happy with this reissue and am glad to add it to my collection.  Thanks to the folks at AP for bringing this back into circulation!  Rating: 9+/10

Just for your reference, here is an excerpt from Jonathan Valin's notes on the original pressing from The RCA Bible:

"#1 on CBK's Top RCA list (and in the hearts of thousands). The ROHO is here set farther back than it is on other Kingsway greats (like 2225 and 2449).  The stage is tremendously wide, deep, and exceptionally well scaled and the orchestra gloriously rich in texture with phenomenal transparency, inner detail and fidelity of tone -- making for quite the majestic panorama.  While midrange texture is excellent, the mids are not quite as lively and immediate as, say, 2225, which of course is more closely miked.  However the low end dynamics outdo the Brew.  In particular the Coppelia has wonderful bass clarity and extension: there is a forte passage toward the end in which the low brass are playing a dotted rhythm above the basses; not only are both lines clearly audible but the brass are reproduced with such fine focus that you can almost count them too.  Unfortunately, CBK's remarks notwithstanding, this is a truly dull performance of Delibes.  Indeed most of the performances on this disc are rather staid as I suppose befits a Royal Gala.  (Note: this fine record does suffer a bit from left/right/hole-in-the-middle staging.)

AAPC 2313 (LSC-2313):  You can find our review of the original Shaded Dog pressing here.

This reissue lives up to the reputation of the and, in my A/B comparison, is better in some aspects.  I found myself favoring the reissue for a few different reasons:

  • Surfaces were, not surprisingly, far quieter on the reissue.
  • Clarity and transparency are better on the reissue, and dynamics are more impactful.  This is more noticeable in louder passages of music (eg, side 2 with Rossini's Semiramide Overture and Ponchielli's Dance of the Hours).
  • In general, the orchestra sounds less recessed and slightly more forward in presentation on the reissue.  This is an improvement from the "cavernous" staging that Jonathan Valin mentioned in his review in The RCA Bible.
Rating: 9/10  


  1. Living in the Past - as per usual! - so will you be updating on all those WRC/SXLP you'd bought??
    A notably, non-ancient Decca, fantastically dynamic analog LP is ASD3900 Muti/Carmina Burana - as the c.1984 recut (not DMM, it seems: 3/5) which has huge bass extension/slam - totally different to the original 1980 'coloured dog' (2/3) in sound/LP appearance.

    1. That would be Meles who made those purchases some time ago. I will have to bug him to put out some reviews!

      I have not heard that ASD before. How does it compare with the ASD with Andre Previn (ASD 3117) conducting?

    2. Never played the Previn ASD (or many other On-Orff's)...but BUY BUY BUY.
      Has to be Big Dog (flat profile) - could do a Taster of the opening - quite remarkable for an LP..

    3. Waiting til I have all the WRC I want before putting out another review.

  2. I also got the AP 6065 and was disappointed it wasn't the deluxe packaging like the original and the first(?) Classic reissue. I could have sworn it was described as having the slip cover jacket on the Acoustic Sounds pre-order web page. Oh, well. It sounds decent enough. Excellent, actually, but not top tier, IMO. I ordered it out of curiosity, to be honest, as the material isn't of much interest. Kind of an expensive experiment, but I assume it will rise in value once out of print (although I suspect that will take many decades given the number of copies AP will surely produce).

    1. Hi Mark - thanks for your comments! In general, I'm not a big fan of "excerpts" albums like this one. They tend to feel like a superficial and incomplete survey of music, and the performances are rarely spectacular. All the ballets included on this one have better recordings elsewhere, in my opinion. I wonder if the value of the Classic Records reissues will decrease now that these AP reissues are available.

    2. I have the Classic of this with Salvatore in our links rates in his top tier. I disagree. Very dynamic on the Classic which Salvatore likes, but its more the EQ job then some amazing sonic characteristic on the master tape. That being said, the AP Reiner Scheherazade amazes with its string tone, easily besting all but the best original copy (I've never heard one) and vastly superior to my original classic and chesky reissues.

    3. The string tone on the AP Reiner Scheherazade is very good, but not as good as my original 11S/14S I shaded dog. I really wanted to keep the AP and sell the original, but there is simply tone and air missing from the AP. Have not heard the Classic nor Chesky to compare. Also have not heard the 7S/1S Valin raves about, nor the 13S/11S others praise. I had an absolutely pristine 14S/12S I shaded dog which was very nice but not as good as the 11S/14S. Had a white dog copy too but didn't care much for it--not sure what the fuss is about on that one.

  3. In short order the Quadophile will have both these LPs and I happen to have original and classic of Venice.