Jose Iturbi's Gorgeous Spanish Recital
Columbia 33CX 1734
Spanish Piano Music by Albeniz and Granados
Spanish Piano Music by Albeniz and Granados
Albeniz:
Asturias (No. 5 of "Suite espaƱola")
SevillaƱas (No. 3 of "Suite espaƱola")
Cadiz (No. 4 of "Suite espaƱola") (SƩrenade espagnole, Op. 181)
Tango in D major, Op. 165 No. 2
CĆ³rdoba (No. 4 of "Cantos de EspaƱa", Op. 232)
Granados:
Allegro di Concierto in C sharp major
Spanish Dance No. 5 in E minor ("Andaluza")
Spanish Dance No. 10 in G major
Spanish Dance No. 12 in A minor
JosƩ Iturbi, piano
Matrix numbers: XLX 705 21C / 794 21F
This is a truly delightful recital of popular Spanish piano music from Spanish-born pianist, conductor, harpsichordist, and actor JosƩ Iturbi (1895-1980). I have to admit, until I discovered Iturbi's recordings for Columbia, I was not familiar with his name or work. I found a web site dedicated to Iturbi that provides a pretty detailed account of his life and work (joseiturbi.com). If you're interested in learning more about this multi-talented artist, I encourage you to check it out.
Released in 1961, this album in its stereo UK pressing (SAX 2391) is extremely rare and almost always fetches a lot of money on the used LP market (median price $187, maximum $766 USD according to Popsike). There is also the original French Columbia stereo release (SAXF 106), also quite valuable, and well as the US Angel stereo (S35628), which can be found pretty readily for quite cheap. Since this is a solo instrumental recording, I figured I'd give the mono UK version a try since that was far less expensive than the SAX and I didn't think I'd be sacrificing that much in terms of sound quality. The mono pressing uses French PathƩ matrices. My copy came with a leaflet advertisement from Columbia, which I photographed above.
Iturbi performs these Spanish works beautifully and with aplomb. He plays with such a lovely tone and really makes the melodies in each piece sing. I was familiar with most of the Albeniz pieces but less so with the Granados compositions. Granados' Allegro di Concierto was a new and welcome discovery for me, and Iturbi's virtuosity here was a marvel. In mono, the sound of the piano was reproduced with warmth and a richness and resonance to the lower registers. Someday, I'd love to hear how the stereo version sounds!
Excerpt from Asturias:
Excerpt from Tango in D major:
Excerpt from Allegro di Concierto:
This recording garnered some strong praise from The Stereo Record Guide, Vol. 3 (1963), which gave it three of three stars *** and a demonstration "D" (demonstration-worthy on first-class equipment):
"In this first-class collection Iturbi offers his best record for some years. The performances are finely pointed and the Spanish idiom is beautifully projected. A crisp piano image, with a firm bass makes for a very enjoyable recital."
Interestingly, Iturbi was featured in popular media and culture in more ways than music. He appeared in several Metro-Goldyn Mayer films in the 1940s, including Thousands Cheer, Music for Millions, Anchors Aweigh, Holiday in Mexico, That Midnight Kiss, and Three Daring Daughters (in which he played the lead role), often playing himself! In A Song to Remember, the biopic about Chopin, they asked Iturbi to play the piano music for the soundtrack.
Here is a clip from the movie Holiday in Mexico (1946), in which Iturbi shows he can also play the boogie-woogie. Fun fact: the two girls beside him are his actual granddaughters, and the woman also playing the piano is his sister, Amparo (also a concert pianist)!
Here is another clip of Iturbi playing himself in the movie The Midnight Kiss (1949):
And here is in Anchors Aweigh (1945), leading an 18-person piano ensemble in Liszt's Hungarian Rhapsody #2:
At last - something I have (sold the SAX) - there's also a good Chopin recital 33CX1701 + a 1954 RCA that's on ALP1158 - enjoyed that years back. Had intended doing the CX's..
ReplyDeleteGreat to hear from you, Tin Ear! I found a Seraphim reissue of Iturbi's Chopin recital for $1 earlier this year but sadly didn't keep it for long because of its condition. Have you ever had his Debussy/Ravel recital on Columbia?
DeleteNot that one. Must admit, given these are somewhat before my time (pre-teens), at this point/before I'd never seek-out titles. These came as new/perfect copies (auction) 25 years back - so that lot included Cziffra/Solomon etc. As you've posted this may do the LP as it's as good as you suggest.
DeleteNot sure if you scrolled through the more recent Silvestri posts, but I tried to also cover the corresponding WRC reissues. I imagine that you have some of these?
DeleteChecked those; but you're inviting comments on near-unobtanium (no UK WRC..). W/G ASD Silvestri rare by early 80's. Only had 2 (Franck: sold) + Tchaik 5. Maybe you have ASD Dvorak 7 - on SXLP30151 c/w Enescu Rhapsody (no particular urge to listen to that!). The Rossignol CFP transfer is possibly inferior - judging by the c/w Krips FireBird ASD copy I dubbed. Thought Reiner's was excellent (Decca/RCA Victrola).
DeleteI had heard of Jose Iturbi but have yet to acquire a record of his, maybe I should reconsider. There is a french reissue of the record in question from the 70s. https://www.discogs.com/release/5556030-Isaac-Albeniz-Enrique-Granados-Jose-Iturbi. Unforunately it does not have original ASD stampers, so it is certainly a transistor-powered transfer. The spanish LAPL edition is incorrectly listed as stereo on discogs-I have applied for a correction of this error with the moderators of the site.
DeleteThe Dvorak 7 ASD is to come along with its respective WRC in one of the next posts on the subject. Do you have any insight into why the Silvestri ASDs are so rare and why almost all the early ones only had a short run (no second or third labels)? Were they just not big sellers for EMI?
DeleteKostaszag, that French 1970s reissue might be worth a try at the price. There is the French ASDF, but I’m not sure you want to spend that kind of money on a solo piano album. I saw a copy on Discogs for about 90 euros!
DeleteThink I'd alluded to reviews putting-off purchases (Kempe VPO ASD Hary etc is 'valuable': EMG comment was vicious). Specialist London shop would be (W/G) £8 (Bartok CfO/Kubelik) and likely £12 (+) for Silvestri - around 1986. 20% cash discount. Japanese buyers compared to their home prices: a no-brainer.
ReplyDeleteAs mentioned a decade back your '$1000' Oistrakh/Horenstein SXL WB could be got for under £3 cash in 1986. I don't have price-lists of that pre-internet era - but your (possibly disappointing!) ICRC+ pdf's show those sought by Phil Rees, et al - who then listed @ 'Japanese values'. The 'bad' LP's became valuable: saw earlier this year 750,000 yen for de Vito ASD. Nearly 30years back was told the Japanese thought just 6 copies remained in the UK.
It is funny to think about how all these records people consider "collectible" and "valuable" these days once only cost a small handful of dollars, GBP, euros, etc. Then came the market forces of supply and demand.
DeleteTwo caveats: 8£ for a record was a lot of money back then, when this was the weekly rent for a student's accommodation. Second, these prices are achieved for a very small number of records, nowadays the great bulk of classic records is unsaleable. Your average DG, German EMI, CBS, or whatever can be had for single-digit prices in any major currency, I know many people who just throw them away as the demand is nonexistent. I do the same for any duplicate record I have with even the faintest scratches, I know now I will never get rid of it.
DeleteThat's a good point, Kostaszag. I wasn't born yet at the time when most of these records were still being sold in specialty shops, but I can relate to it with the arrival of CDs. When classical CDs were first being sold, and at least up until the late 1990s to early 2000s, they were very expensive, ranging from $15-22. As a student, it was difficult to afford these, so I relied on my local public library! My father had a small collection of classical records that he got through being a member of the Columbia Record Club in the mid 1960s.
DeleteEMG Monthly Letter (June 1980) still quotes prices. Decca SXDL £5.99 / ASD/Philips/SXL £5.40-£5.50. Gramex (Waterloo) 6 years later £8 (£6.40 'cash') is hardly OTT. Cheapo-Cheapo (Soho) were £1.80/£2/£2.20. Gramex (Covent Garden) Jan.1986 £1.50 sale I found numerous that weren't selling @ £2 - like: SXL Ansermet/Falla - Mozart PC/Backhaus..and more later.
ReplyDeleteIn 1980, the British pound was even stronger against the dollar (1 GBP was approximately $2.30-2.40), which would put those records at $12-13. I agree - not inexpensive. Sounds like you cleaned up at the sale, Tin Ear!
DeleteThank you so much for including the music clips -- they add a very nice dimension to your reviews. And thank you for sharing this particular one about Iturbi. I knew almost nothing about him. I have a mono recording (an ALP) of Amparo playing Goyescas. It's a family that knows its way around Spanish music. Also lovely. I wonder: with records of solo instruments, what is the probable aural difference between a mono and a stereo recording? Apart from perhaps a possible greater diffuseness to the sound it seems to me that the SAX of this recording wouldn't be worth hundreds of extra dollars/pounds/euros?
ReplyDelete